This should go without saying, but typefaces like these get submitted (usually unsuccessfully) to foundries fairly regularly. 'Helvetica with wings' won't produce a better typeface or help you develop your skills as a type designer.

Avoid basing your design on the outline of an existing typeface. This can be a useful practice exercise because handwriting is so individual. One good way to get started with font design is by digitising your own handwriting. For more advice on this, see our 4 steps to using variable fonts. As the name suggests, variable fonts allow type designers to personalise their letters, essentially enabling one font to act like multiple fonts. Meanwhile, if you're a more advanced type designer, you might want to explore the world of variable fonts. Will it be based on a writing implement or will it be more geometric? Will your design be a text face, comfortable at small sizes and suitable for long documents or will it be a display face with an imaginative style that works better commanding attention at a larger size?Дesigning a sans-serif typeface is often more challenging for beginners because the features that distinguish such typefaces are much more subtle. Will your font design be a serif or sans-serif typeface? for example. Make your fundamental font design choicesДЇont design involves a number of important choices that you need to make early on. Only when you know what your typeface will actually be used for can you really get started on the design.

There are typefaces that were created specifically for coding, for academic texts, to provide better number systems for engineering documents or as bespoke one-offs for public lettering.

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